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A decisive part of contemporary works of art lies in the encounter with, and the achievement of, a gesture. A single gesture that feels complete and that, in being performed, raises questions beyond its own action, beyond even the surface on which it takes place. These gestures can no longer be separated from the idea involved in conceiving them, nor from the art that accepts them as an intrinsic part of the work, understood as a portion of symbolic immateriality.

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