Instead of viewing painting as an act of inspiration, I see it as a repetitive process of making and undoing. The focus isn’t on the final outcome, but on the ongoing process of correcting and refining. I deliberately avoid making decisions, allowing chance and randomness to shape the final composition. This approach reflects a balance between control and accident.

With a background in graphic design, I seek solutions that appear obvious and self-explanatory but are not necessarily simple. I believe a work of art should seem easy to understand while leaving room for ambiguity and interpretation. I like my pieces to feel unfinished, constantly open to change and reinterpretation.

 

Repetition is central to my process. I engage in routine actions that don’t require conscious thought, creating space for contemplation and subtle observation. I believe that boredom and routine can be catalysts for creativity, allowing a deeper understanding of gesture and process.

My work bridges the analog and digital, emphasizing the balance between rational control and spontaneous accidents. By reducing my own decision-making power, I become a tool within the process. My pieces are shaped by repetition, randomness, and a certain detachment from the outcome.